AI Dance, Creativity, Dance Anthropology, Posthumanism
Thoughts previous to the conference 'Human-AI dance: hybrid co-creativity in the posthuman era' .
BIO
About
ABOUT
DIEGO MARÍN
Diego Marín is an independent choreographer, director and dance anthropologist whose work has been presented internationally. On the stage, screen and via immersive experiences, he works to deploy visual and sensorial poetry.
His interdisciplinary research investigates artistic creativity as a cognitive phenomenon from the practice of dance and the analysis of the construction of AI creative agents. His approach involves the study of dance from cyborg anthropology, the 4E cognition paradigm and phenomenology. His creative collaboration with AI Dancers responds to his experimentation for understanding dance phenomenon by applying inductive and synthetic methods during the design of Artificial Intelligent systems.
His research and artistic production are often related, as can be seen in his most recent work "Dancing embryo" from his 'Human/AI Co-creation of dance' project.
Photo: Arturo Rentería
our team
The best team ever!
Blake Hamilton
Project manager
Ahmed Shawky
Web Designer
HIsham Megahed
Founder
John Doe
Engineer
CURRICULM VITAE
PROFESSIONAL EXPERIENCE
DANCE COMPANIES
• Company Director | Ballet Contemporáneo de Ciudad Hidalgo | 2015-2020
• Producer | Umbra Dance Theatre | 2018-2021
• Choreographer | Cobalto Dance Company | 2018
• Dancer | OPEN FLR (Chris Evans) | 2017
• Dancer | Hírbido (UNLA) | 2010-2015
HUMAN-AI INTERACTION DESIGN
• H+AI Interaction Designer | Dancing Embryo | 2022
• H+AI Dancer-sculptor | ARTech Body Haus | 2022 (work in progress).
CULTURAL MANAGEMENT
• CEO Founder | Graham Dance Center | 2015-2020
• Coordinator | Con Espacio Hay Danza | 2015-2020
• Coordinator | Foundance Festival | 2016-2017
• Coordinator | International Dance Day Ciudad Hidalgo | 2015-2018
• Project Designer| Cultural Ministry of Chihuaha | 2022
CURRICULM VITAE
EDUCATION
ACADEMIC EDUCATION
• International Master in Dance Knowledge, Practice and Heritage | Choreomundus consortium | 2020-2022
• Specialization in Virtual Reallity | Goldsmiths University of London | 2022
• Certificate in Motion Capture | University of Oslo | 2021
• Master in Theatre Production | Universidad Internacional de la Rioja | 2019-2020
• Bachelor in Dance | UAEH School of Arts | 2019-2020
• Certificate in Neurosciences applied to Performing Arts | Universidad Veracruzana | 2018 - 2019
• Specialization in Cultural Policy and Management | Universitat de Barcelona | 2016-2017
• Certificate in Dance teaching methodologies | UMSNH | 2015
• Bachelor in Communication Sciences | Universidad Latina de América | 2010-2014
• Certificate in Contemporary Art History | Universidad Latina de América | 2013
ACADEMIC INTERNSHIPS
• Visiting student | University of Cambridge: Leverhulme Centre for the Future of Intelligence | 2022
• Guest researcher | University of Oslo, RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion | 2021
DANCE EDUCATION
• Universidad Latina de América | Jazz Technique | 2010-14
• Casa de la Cultura Morelia | Graham Technique | 2014-15
• Centro Pro-ballet de Michoacán | Ballet ISTD | 2015-2017
• Jenia Kasatkina | Countertechnique | OPENFLR 2017
• Chris Evans | Gaga technique | OPENFLR 2017
• María Tonantzin | Graham Technique | 2017-2018
• Universidad Veracruzana | Release Technique | 2018
• Batsheva Dance Company | Gaga Technique | 2019 Winter Audition Course
• FONCA Mexico | Choreographic creation | 2019-2020
• Ifunamboli Paris | Contemporary ballet | 2020
• Conservatoire Emmanuel-Chabrier | Cunningham technique| 2020-2021
• Graham for Europe | Graham technique | London Workshop 2022
ARTISTIC RESIDENCIES
• Centro Cultural del Bosque CDMX | Plataforma Interacciones FONCA | 2020
• CASA Oaxaca | Plataforma Interacciones FONCA | 2019
• CECOART Durango | Plataforma Interacciones FONCA | 2019
Academic
Research
Choreography, Creativity, Stage Dance, Studio
Ethnography about the dance community in France during the Pandemic COVID-19.
Our clients
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