AI Dance, Creativity, Dance Anthropology, Posthumanism
Thoughts previous to the conference 'Human-AI dance: hybrid co-creativity in the posthuman era' .
BIO
Photo: Arturo Rentería
our team
The best team ever!
Blake Hamilton
Project manager
Ahmed Shawky
Web Designer
HIsham Megahed
Founder
John Doe
Engineer
About
ABOUT
DIEGO MARÍN
Diego Marín is a choreographer, performer, dance anthropologist and experimental stage director. His work encompasses stagings and intermediate art that have been presented in various Mexican cities and in countries such as France, England, Italy, Bosnia and India, highlighting its exhibition in renowned venues such as the Royal Opera House of Bombay and the Theatre Hall of Mexico City "Esperanza Iris". His artistic proposal is characterized by physical theatricality, multimodal metonymy and the creation of enigmatic atmospheres.
His research and artistic production are often related, as can be seen in his work "Dancing embryo" where he explores dance as a doubly encoded act, where creativity and performance are experienced and tested by biological and artificial systems. Marín has received the Award "Interdisciplina y Transdisciplina 2022" from the SACPC (Mexican Minstry of Culture) and was shortlisted nominee in the One Dance UK Awards 2022 (United Kingdom).
Diego Marín's most groundbreaking project "Dancing Embryo" introduces a conceptual model and a practical method of human-AI co-creation that transcends mere technological innovation to delve into a profound philosophical inquiry, questioning the very nature and boundaries of art.
See CV and portfolio below.
CURRICULM VITAE
PROFESSIONAL EXPERIENCE
DANCE CREATION
• Company Director | Ballet Contemporáneo de Ciudad Hidalgo | 2015-2020
• Producer | Umbra Dance Theatre | 2018-2021
• Choreographer | Cobalto Dance Company | 2018
• Dancer | OPEN FLR (Chris Evans) | 2017
• Dancer | Hírbido (UNLA) | 2010-2015
GUEST UNIVERSITY LECTURING
• Rambert School of Ballet and Contemporary Dance (MA in Dance Research) 2023
• University of Cambridge (Leverhulme Centre for the Future of Intelligence) 2022
• Universidad Internacional de la Rioja (Open Master Class) 2023
DANCE RESEARCH
• Doctoral Research Fellow | RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion (UiO) | 2023-2027
• Erasmus Mundus Joint Master Degree Fellow | Choreomundus Consortium | 2020-2022
CURRICULM VITAE
EDUCATION
ACADEMIC EDUCATION
• Doctor in Philosophie | University of Oslo | 2023-2026
• International Master in Dance Knowledge, Practice and Heritage | Choreomundus consortium | 2020-2022
• Certificate in Motion Capture | University of Oslo | 2021
• Master in Theatre Production | Universidad Internacional de la Rioja | 2019-2020
• Bachelor in Dance | UAEH School of Arts | 2019-2020
• Diploma course in Neurosciences applied to Performing Arts | Universidad Veracruzana | 2018 - 2019
• Specialization in Cultural Policy and Management | Universitat de Barcelona | 2016-2017
• Diploma course Dance teaching methodologies | UMSNH | 2015
• Bachelor in Communication Sciences | Universidad Latina de América | 2010-2014
• Diploma course in Contemporary Art History | Universidad Latina de América | 2013
ACADEMIC INTERNSHIPS
• Visiting student | University of Cambridge: Leverhulme Centre for the Future of Intelligence | 2022
• Guest researcher | University of Oslo, RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion | 2021
DANCE EDUCATION
• Contemporary Dance syllabus | ISTD London & Ross McKim | 2022
• Graham for Europe | Graham technique | London Workshop 2022
• Conservatoire Emmanuel-Chabrier | Cunningham technique | 2020-2021
• Ifunamboli Paris | Contemporary ballet | 2020
• FONCA Mexico | Choreographic creation | 2019-2020
• Batsheva Dance Company | Gaga Technique | 2019 Winter Audition Course
• Universidad Veracruzana | Release and floor work Techniques | 2018
• María Tonantzin | Graham Technique | 2017-2018
• Chris Evans | Gaga technique | OPENFLR 2017
• Jenia Kasatkina | Countertechnique | OPENFLR 2017
• Centro Pro-ballet de Michoacán | Ballet ISTD | 2015-2017
• Casa de la Cultura Morelia | Graham Technique | 2014-15
• Universidad Latina de América | Jazz Technique | 2010-14
ARTISTIC RESIDENCIES
• Centro Cultural del Bosque CDMX | Plataforma Interacciones FONCA | 2020
• CASA Oaxaca | Plataforma Interacciones FONCA | 2019
• CECOART Durango | Plataforma Interacciones FONCA | 2019
Academic
Research
AI Dance, Choreography, Creativity, Dance Anthropology, Posthumanism
Ethnography about the dance community in France during the Pandemic COVID-19.
Our clients
Your successful, our reputation
