AI Dance, Creativity, Dance Anthropology, Posthumanism
Thoughts previous to the conference 'Human-AI dance: hybrid co-creativity in the posthuman era' .
BIO
About
ABOUT
DIEGO MARÍN
Diego Marín is an independent choreographer, director and dance anthropologist whose work has been presented internationally. On the stage, screen and via immersive experiences, he works to deploy visual and corporeal poetry.
His interdisciplinary research investigates artistic creativity as an entangled phenomenon from the analysis and practice of dance. His approach involves the study of dance from Anthropology and Cybernetics. His creative collaboration with AI dancers responds to his experimentation for understanding dance as a doubly encoded act, where creativity and performance are experienced and tested by biological and artificial systems.
His research and artistic production are often related, as can be seen in his most recent work "Dancing embryo" from his 'Human/AI Co-creation of dance' project.
Photo: Arturo Rentería
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Blake Hamilton
Project manager
Ahmed Shawky
Web Designer
HIsham Megahed
Founder
John Doe
Engineer
CURRICULM VITAE
PROFESSIONAL EXPERIENCE
DANCE CREATION
• Company Director | Ballet Contemporáneo de Ciudad Hidalgo | 2015-2020
• Producer | Umbra Dance Theatre | 2018-2021
• Choreographer | Cobalto Dance Company | 2018
• Dancer | OPEN FLR (Chris Evans) | 2017
• Dancer | Hírbido (UNLA) | 2010-2015
UNIVERSITY LECTURING
• Rambert School of Ballet and Contemporary Dance (MA in Dance Research) 2023
• University of Cambridge (Leverhulme Centre for the Future of Intelligence) 2022
• Universidad Internacional de la Rioja (Open Master Class) 2023
DANCE RESEARCH
• Doctoral Research Fellow | RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion | 2023-2027
• Erasmus Mundus Joint Master Degree Fellow | Choreomundus Consortium | 2020-2022
CURRICULM VITAE
EDUCATION
ACADEMIC EDUCATION
• Doctor in Philosophie | University of Oslo | 2023-2026
• International Master in Dance Knowledge, Practice and Heritage | Choreomundus consortium | 2020-2022
• Certificate in Motion Capture | University of Oslo | 2021
• Master in Theatre Production | Universidad Internacional de la Rioja | 2019-2020
• Bachelor in Dance | UAEH School of Arts | 2019-2020
• Certificate in Neurosciences applied to Performing Arts | Universidad Veracruzana | 2018 - 2019
• Specialization in Cultural Policy and Management | Universitat de Barcelona | 2016-2017
• Certificate in Dance teaching methodologies | UMSNH | 2015
• Bachelor in Communication Sciences | Universidad Latina de América | 2010-2014
• Certificate in Contemporary Art History | Universidad Latina de América | 2013
ACADEMIC INTERNSHIPS
• Visiting student | University of Cambridge: Leverhulme Centre for the Future of Intelligence | 2022
• Guest researcher | University of Oslo, RITMO Centre for Interdisciplinary Studies in Rhythm, Time and Motion | 2021
DANCE EDUCATION
• Contemporary Dance syllabus | ISTD London & Ross McKim | 2022
• Graham for Europe | Graham technique | London Workshop 2022
• Conservatoire Emmanuel-Chabrier | Cunningham technique | 2020-2021
• Ifunamboli Paris | Contemporary ballet | 2020
• FONCA Mexico | Choreographic creation | 2019-2020
• Batsheva Dance Company | Gaga Technique | 2019 Winter Audition Course
• Universidad Veracruzana | Release and floor work Techniques | 2018
• María Tonantzin | Graham Technique | 2017-2018
• Chris Evans | Gaga technique | OPENFLR 2017
• Jenia Kasatkina | Countertechnique | OPENFLR 2017
• Centro Pro-ballet de Michoacán | Ballet ISTD | 2015-2017
• Casa de la Cultura Morelia | Graham Technique | 2014-15
• Universidad Latina de América | Jazz Technique | 2010-14
ARTISTIC RESIDENCIES
• Centro Cultural del Bosque CDMX | Plataforma Interacciones FONCA | 2020
• CASA Oaxaca | Plataforma Interacciones FONCA | 2019
• CECOART Durango | Plataforma Interacciones FONCA | 2019
Academic
Research
AI Dance, Choreography, Creativity, Dance Anthropology, Posthumanism
Ethnography about the dance community in France during the Pandemic COVID-19.
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